Art Spiegelman’s Pulitzer Prize-winning graphic novel Maus is a landmark on the Holocaust and a breakthrough in serious comics—but his entire oeuvre is more remarkable and eclectic. ART SPIEGELMAN: DISASTER IS MY MUSE began in the 1960s as a co-creator of the trading card series Wacky Packages; co-founded the underground comics magazines Arcade (with Bill Griffith) and Raw (with his wife, Françoise Mouly); his response to 9/11 in Shadow of No Towers, inspired by witnessing the attacks from his home in lower Manhattan; his controversial covers for The New Yorker (1993-2003), which prompted the NYPD to march on the magazine’s offices; and his public response to Maus’ recent ban by a Tennessee school board. Spiegelman proves to be an eloquent guide to his provocative work alongside contemporaries (Robert Crumb, Gary Panter) and younger cartoonists (Joe Sacco, Jerry Craft, Molly Crabapple) who were inspired by Spiegelman’s unflinching confrontation with personally traumatic themes.

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